[internautica]


Tagged “love”

  1. A Bookmark near the

    He loves history. He wanted to write a biography of John Quincy Adams. I, shamefully, knew almost nothing about John Quincy Adams, so I went online and bought every biography of him I could find. One day, he called me, claiming that we wouldn’t work out long term. He said he loved me but that we had different interests. “What does love mean to you?” I said. “That’s an impossible question,” he replied. I, however, find love to be quite simple. Love is the stack of biographies on my nightstand with a bookmark near the end.


  2. You: What is this strange feeling I keep having? This cold... even now?

    Shivers: I AM LA REVACHOLIÈRE. I AM THE CITY.

    You: What do you mean, you are the city?

    Shivers: I AM A FRAGMENT OF THE WORLD SPIRIT, THE GENIUS LOCI OF REVACHOL. MY HEART IS THE WIND CORRIDOR. THE BOTTOM OF MY AIR IS RED. I HAVE A HUNDRED THOUSAND LUMINOUS ARMS. COME MORNING, I CARRY INDUSTRIAL DUST AND LET IT SETTLE ON TREE LEAVES. I SHAKE THE DUST FROM THOSE LEAVES AND ONTO YOUR COAT. I'VE SEEN YOU, I'VE SEEN YOU! I'VE SEEN YOU WITH HER — AND I'VE SEEN YOU WITHOUT HER. I'VE SEEN YOU ON THE CRESCENT OF THE HILL.

    You: How are you talking to me?

    Shivers: THE MODULATIONS OF MY VOICE ARE NOTED DOWN WITH THERMOMETERS AND BAROMETERS. YOU FEEL ME IN YOUR NOSTRILS, ON THE LITTLE HAIRS ON THE BACK OF YOUR NECK. I ALSO RESIDE IN YOUR LUNGS AND VESTIGIAL ORGANS. EVERYWHERE THERE IS SPACE.

    Rhetoric: All this eloquence — it's in service of something. She's afraid.

    You: What are you afraid of?

    Shivers: DEATH — IT IS TERRIFYING. I NEED YOU TO PROTECT ME FROM DEATH. I CANNOT PERISH. LOOK AT ME. I CANNOT END. IN 22 YEARS, THE FIRST SHOT WILL BE FIRED. NOT A SHOT FROM A GUN — AN ATOMIC DEVICE THAT WILL LEVEL ALL OF ME. ALL OF ME.

    You: But... what can I do about it?

    Shivers: YOU ARE AN OFFICER OF THE CITIZENS MILITIA. YOU MOVE THROUGH MY STREETS FREELY IN MOTOR CARRIAGES AND ON FOOT. YOU HAVE ACCESS TO THE HIDDEN PLACES. YOU ALSO CIRCULATE AMONG THOSE WHO ARE HIDDEN. I NEED YOU. YOU CAN KEEP ME ON THIS EARTH. BE VIGILANT. I LOVE YOU.


  3. First Contact Is Made With A Little Girl Skipping Rocks At A Creek

    Hi! Do you want to share my creekbed? Mama says it isn't my creekbed, it belongs to the world, but I call it mine because I'm the only one who ever uses it. Wanna skip rocks? We can race. I'll even let you have my smoother ones, they're best for skipping. You don't know how? Here, like this. Move that bit more. Your wrists are funny. Your whole body's funny. Mama says that's mean to say, but how can it be mean? Being funny is a good thing. I've got a funny toe. It's smaller than all the others, see? Oh wow, your toes are funny too. No silly, you can't step over there--that's where all the poliwogs live. They're baby frogs. You can stick your fingers in and wiggle at them if you promise to be gentle.

    Boy, you sure got a lot of fingers. Oh, they like you! Aren't they cute? When I grow up, I'm gonna have a whole poliwog family. They'll live in my bathtub. Why do you have so many hands? I wish I had that many hands. I bet you'll be real good at rock skipping. Do you have creeks where you live? I come out here a lot. Sometimes if I'm real quiet, the beavers will come out with their babies. Do you have beavers where you live? They look like this, with their teeth. And they have great big tails that slap the water, like this. They eat trees, and they build houses with them too. Their house is called dam but Mama says I'm not allowed to say that. Grown ups are always telling us what words we can't say, but that's just because they're embarrassed. They say the words by accident a lot. Look! See that? It's a wooly bear! His fur's all orange, and that means it's gonna be a good summer. You wanna meet Mama? Maybe she'll make us some ice cream, since you're a guest. Careful! The big rocks are slippery. Here, hold my hand. This is how I walk with Mama so she won't lose me. I won't let you fall.


  4. Ode to Spot

    Felis Cattus, is your taxonomic nomenclature,
    an endothermic quadruped carnivorous by nature?
    Your visual, olfactory and auditory senses
    contribute to your hunting skills, and natural defenses.

    I find myself intrigued by your subvocal oscillations,
    a singular development of cat communications
    that obviates your basic hedonistic predilection
    for a rhythmic stroking of your fur, to demonstrate affection.

    A tail is quite essential for your acrobatic talents;
    you would not be so agile if you lacked its counterbalance.
    And when not being utilized to aide in locomotion,
    it often serves to illustrate the state of your emotion.

    O Spot, the complex levels of behaviour you display
    connote a fairly well-developed cognitive array.
    And though you are not sentient, Spot, and do not comprehend,
    I nonetheless consider you a true and valued friend.


  5. The Orange

    At lunchtime I bought a huge orange—
    The size of it made us all laugh.
    I peeled it and shared it with Robert and Dave—
    They got quarters and I had a half.

    And that orange, it made me so happy,
    As ordinary things often do
    Just lately. The shopping. A walk in the park.
    This is peace and contentment. It’s new.

    The rest of the day was quite easy.
    I did all the jobs on my list
    And enjoyed them and had some time over.
    I love you. I’m glad I exist.

    - Wendy Cope


  6. Hammond B3 Organ Cistern

    The days I don’t want to kill myself
    are extraordinary. Deep bass. All the people
    in the streets waiting for their high fives
    and leaping, I mean leaping,
    when they see me. I am the sun-filled
    god of love. Or at least an optimistic
    under-secretary. There should be a word for it.
    The days you wake up and do not want
    to slit your throat. Money in the bank.
    Enough for an iced green tea every weekday
    and Saturday and Sunday! It’s like being
    in the armpit of a Hammond B3 organ.
    Just reeks of gratitude and funk.
    The funk of ages. I am not going to ruin
    my love’s life today.
    It’s like the time I said yes
    to gray sneakers but then the salesman said
    Wait. And there, out of the back room,
    like the bakery’s first biscuits: bright-blue kicks.
    Iridescent. Like a scarab! Oh, who am I kidding,
    it was nothing like a scarab! It was like
    bright. blue. fucking. sneakers! I did not
    want to die that day. Oh, my God.
    Why don’t we talk about it? How good it feels.
    And if you don’t know then you’re lucky
    but also you poor thing. Bring the band out on the stoop.
    Let the whole neighborhood hear. Come on, Everybody.
    Say it with me nice and slow
    no pills no cliff no brains on the floor
    Bring the bass back. no rope no hose not today, Satan.
    Every day I wake up with my good fortune
    and news of my demise. Don’t keep it from me.
    Why don’t we have a name for it?
    Bring the bass back. Bring the band out on the stoop.
    Hallelujah!


  7. Wandering Around an Albuquerque Airport Terminal

    After learning my flight was detained 4 hours, I heard the announcement: If anyone in the vicinity of gate 4-A understands any Arabic, Please come to the gate immediately. Well—one pauses these days. Gate 4-A was my own gate. I went there. An older woman in full traditional Palestinian dress, Just like my grandma wore, was crumpled to the floor, wailing loudly. Help, said the flight service person. Talk to her. What is her Problem? we told her the flight was going to be four hours late and she Did this. I put my arm around her and spoke to her haltingly. Shu dow-a, shu- biduck habibti, stani stani schway, min fadlick, Sho bit se-wee? The minute she heard any words she knew—however poorly used— She stopped crying. She thought our flight had been canceled entirely. She needed to be in El Paso for some major medical treatment the Following day. I said no, no, we’re fine, you’ll get there, just late, Who is picking you up? Let’s call him and tell him. We called her son and I spoke with him in English. I told him I would stay with his mother till we got on the plane and Would ride next to her—Southwest. She talked to him. Then we called her other sons just for the fun of it. Then we called my dad and he and she spoke for a while in Arabic and Found out of course they had ten shared friends. Then I thought just for the heck of it why not call some Palestinian Poets I know and let them chat with her. This all took up about 2 hours. She was laughing a lot by then. Telling about her life. Answering Questions. She had pulled a sack of homemade mamool cookies—little powdered Sugar crumbly mounds stuffed with dates and nuts—out of her bag— And was offering them to all the women at the gate. To my amazement, not a single woman declined one. It was like a Sacrament. The traveler from Argentina, the traveler from California, The lovely woman from Laredo—we were all covered with the same Powdered sugar. And smiling. There are no better cookies. And then the airline broke out the free beverages from huge coolers— Non-alcoholic—and the two little girls for our flight, one African American, one Mexican American—ran around serving us all apple juice And lemonade and they were covered with powdered sugar too. And I noticed my new best friend—by now we were holding hands— Had a potted plant poking out of her bag, some medicinal thing, With green furry leaves. Such an old country traveling tradition. Always Carry a plant. Always stay rooted to somewhere. And I looked around that gate of late and weary ones and thought, This is the world I want to live in. The shared world. Not a single person in this gate—once the crying of confusion stopped —has seemed apprehensive about any other person. They took the cookies. I wanted to hug all those other women too. This can still happen anywhere. Not everything is lost.


  8. Breaking Home Ties

    rockwell breaking home ties

    - Norman Rockwell


  9. Helping

    xkcd helping

    - xkcd


  10. Useless

    xkcd useless

    - xkcd


  11. How to Be a Dog

    If you want to be a dog, first you must learn to wait. You must wait
    all day until somebody returns, and if somebody returns late, you
    must learn to wait until then. Then you must learn to speak in one
    of the voices available to you, high and light or mellow thick and
    low or middle-range and terse. Whichever voice you learn to speak,
    you will meet somebody who does not like you because of it, they
    will be wary or annoyed or you will remind them of something or
    someone else. Once you have learned to speak you must learn not to
    speak unless you absolutely must, or to speak as much as you feel
    you must regardless of how many times you are told to stop, or sit,
    or placed behind a door—this will depend on what kind of a dog you
    want to be. And indeed there are many kinds. It may not feel as though
    you get to choose, and that too is a kind of dog. Next you must learn
    to relinquish all control over everything you might wish to control. You
    must learn to prefer to be led about by the neck on a piece of string,
    or staked to a neglected lawn by a length of chain. You must learn, once
    you have sampled the freedom of a life without a chain, that it is better
    to return and be chained again. Or you may learn that it is not—
    a fugitive is also a kind of dog. Of course you must learn to love, to
    love always and love entirely and to be wounded by nothing so much
    as the violence of your own love. You must learn to be confused but
    never disappointed by a deficiency of love. You must give up your
    children and not know why. You must lose yourself wholly in activity;
    you must never feel an itch that you do not scratch. You must learn how
    to wait at the foot of the bed and hope, silently, that somebody is drunk
    enough or lonely enough to invite you up, and you must learn not to show
    your excitement too much or overplay your hand. If you want to be a dog,
    you must learn to believe that you are not in fact a dog at all.


  12. When her mother is in the parlor
    we sit
    LIKE           THIS
    But after mother retires
    we always sit
    LIKETHIS

    And sometimes (don't be shocked!)
    we sit
    LIKE
    THIS

    - Feather River Bulletin, Quincy, California, March 20, 1924


  13. After the Threesome, They Both Take You Home

    even though it's so very late
    and they have to report to their jobs
    in a few hours, they both get in the car,
    one driving, one shotgun, you in the back
    like a child needing a drive to settle into sleep,
    even though one could drive and the other
    sleep, because they can't sleep
    without each other, they'd rather drive you
    across the city rather than be apart for half an hour,
    the office buildings lit pointlessly beautiful
    for nobody except you to admire their reflections
    in the water, the lovers too busy talking about that colleague they don't like,
    tomorrow's dinner plans, how once
    they bought peaches on a road trip and ate and ate
    until they could taste it in each other's pores,
    they get out of the car together to kiss you goodnight,
    you who have perfected the ghost goodbye,
    exiting gatherings noiselessly, leaving only
    a dahlia-scented perfume, your ribcage
    compressing to slide through doors ajar and untouched,
    yesterday you were a flash of white in a pigeon's blinking eye,
    in the day few hours old you stand solid and full
    of other people's love for each other
    spilling over, warm leftovers.


  14. How To Look At Art

    barry how to look at art


  15. And God,
    please let the deer
    on the highway
    get some kind of heaven.
    Something with tall soft grass
    and sweet reunion.
    Let the moths in porch lights
    go some place
    with a thousand suns,
    that taste like sugar
    and get swallowed whole.
    May the mice
    in oil and glue
    have forever dry, warm fur
    and full bellies.

    If I am killed
    for simply living,
    let death be kinder
    than man.


  16. DINOSURS SMELLED MAGNOLIAS

    I am climbing a magnolia tree
    & you are telling me
    that magnolia trees existed
    before bees did which means that
    dinosaurs smelled magnolias
    & that maybe that
    was the last scent
    a dinosaur smelled
    before it all went bad
    & dark & bad &
    when I am safely in the tree
    you put your hands together
    in the shape of a bowl
    or a magnolia & that is
    where I would like to sleep
    & so I do & so I do.

    - Dalton Day


  17. The Globe Shrinks

    krueger the globe shrinks


  18. Make Out Sonnet

    The first time I saw two men kissing, I was six,
    Living in 1970s L.A. My mom took care
    Of an elderly woman who found herself in a fix
    And moved into a complex of all men, bare
    Chested men, with cutoff jeans and tinted glasses.
    My mother's friend gave me chocolate that matched
    Her skin - this must be heaven. These sons' asses
    Peeked out beneath their shorts, but watched
    Over her better than mom. Took donations for heat,
    A sofa and a new wig - all changed her mood.
    They even did her laundry. They did sweet
    Better than honey. Did family better than blood.
    And between duties, two men always off alone
    So desire, like the dishes, could also get done.


  19. Graffiti, Through Grief and Discovery

    I started to notice more graffiti above street level, on other train bridges, on rooftops, on high walls and car flyovers. How had those writers gotten there?

    Soon, wherever I went, I saw less the cold iron-and-brick brutality and more the masked persons climbing nimbly down the crosshatchings of the pilings, sprinting across the gravel, spray-painting the walls; less the steel girders and I-beams, and more the running and jumping and climbing and the thrill of hanging above the bustling road.

    A well-placed piece of graffiti, I realized, meant that someone had actually been there and written it—which suddenly meant that London, which is covered in graffiti, was way more open than all the CCTV and fences and walls suggested. Here’s how to look at London. Here’s how to live in London. Here I am, the writer says, in this place I can’t be.


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